Russell Smith

On Nostalgia, Ironic Or Otherwise: Part 2

Since I discovered that there are videos for all the underground songs of my youth now on YouTube, I’ve been staying up late watching them. I couldn’t believe you could find actual footage of the Human League performing “Being Boiled,” a song first recorded on a Sony two-track tape for a cost of two pounds fifty.

But I am not the only fan of John Foxx and Co. to have been disappointed with these old videos. And this is the great marvel and joy of YouTube — that disappointment can be answered: John Foxx fans have posted their own remixes of his 1980 hit (And of course you can also see John Foxx performing the song live in a variety of venues.) My favourite of the modern videos is one entirely in black and white: It nails the Kratfwerkian nostalgic element of early synthpop, situating the whole thing in a time of post-war optimism (and minus the little girls). This video is better than the original.


John Foxx, “Underpass” (Metamatic, 1980)

The dance remix is also a lot of fun: it updates the song with an electro bassline and a sample from Liberace. There it is: irony. An injection of just a little of it makes it so much more contemporary.


Mark Reeder, “Underpass Reeder Sinister Subway Mix,” (2009)

Is this just a dangerous nostalgia? Am I just being like the boomers, constantly looking over their home movies from Woodstock? Possibly in giving in to this I am distancing myself from the present. But I like to think it’s also research, from a distance, on something I didn’t fully understand at the time.

Trust YouTube to provide visual commentary on exactly this question. Here are Miss Kittin and the Hacker, who in 2001 released a song called “1982.”


Miss Kittin and the Hacker, “1982,” (2009)

And by the way, techno is still obsessed with “Stalker.” Watch these two:


Richie Hawtin, “The Tunnel,” (2005)


Richie Hawtin, “We (All) Search,” (2005)

- Russell Smith

picture-119Part 1 of Russell’s On Nostalgia.

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Russell Smith's novels include "Girl Crazy," published by HarperCollins Canada, and “Muriella Pent” — named best fiction pick of its year by Amazon.ca, and nominated for the Rogers Fiction Prize and the Impac Dublin Prize. He lives in Toronto.
Author photo by Jowita Bydlowska.