Claudia Dey

Scenery As 9″ Heels & Leather Coat

picture-53Teri’s videos have disappeared from the web, and it seems to have slipped away for good! We hope one day to track down this particular video. Meantime, Teri’s site is here.

Teri gets out of the passenger side of an SUV parked in a Handicapped spot wearing a long black leather coat and nine inch platform boots. Her face has the pallor of the motionless. Her hair is the yellow of candy and her makeup is the makeup she put on when she was a teenager stranded in her pink bedroom with nothing but her face. 

What is so curious about this video is when Teri lights a cigarette, grips her heel above her head and preens like a girl with a single, provocative trick, and, then with limp defiance, apologizes to those fetishists who will not appreciate her choice of boot and walks away from the truck toward the sunset, there are no other parkers in the enormous parking lot. The world Teri walks into is empty. There are some trees and some mountains in the distance, but no people. I am the scenery, Teri is saying, I am the scenery. 

The only other person in the whole world aside from Teri is the man who holds the camera. This makes me think: Harmony Korine’s version of Adam and Eve. We never see the man. He attempts debonairness. He excuses his dirty truck tires and is taken by Teri’s final act: a striptease which is brief, distracted and, she promises with the tiredness of the long-initiated, only a beginning.

- Claudia Dey

  • David Holmes

    That apology comes at a moment of sudden self-consciousness. She makes herself into a fantasy and Teri revolts: I wear these boots because I like them, not for you, which is of course half-true. “The tiredness of the long-initiated, only a beginning” – exactly!!

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Claudia Dey is a novelist, playwright and columnist. She writes the weekly ‘Group Therapy’ column for the Globe and Mail, and during its brief but illustrious life, Claudia also wrote the sex column for Toro magazine under the pseudonym Bebe O’Shea. Her plays have been translated into French and German and produced internationally. They include Beaver, Trout Stanley and The Gwendolyn Poems, which was nominated for the Governor General’s Award and the Trillium Award. Her debut novel, “Stunt,” has been praised by – among others – the Globe and Mail, Quill and Quire and Time Out Chicago, which called it ‘deeply weird and totally beautiful.’ The Toronto Star, in its description of Dey’s writing, said ‘It’s as if poet Anne Carson and satirist Mordecai Richler accidentally collided at a drunken PEN fundraiser to produce a mischievous, magical and observant girl-child.’